Independent Work 3 Exercises By Felipe Estupiñan

Homework

Mayas work's

Mayas work's 

The work of the earth gave priority to the cultivation of maize, beans, cocoa and squash, while hunting, fishing and gathering activities were complementary, which is why this period is also known as agricultural. It will develop a simple religion with a belief in an ultra earthly life and worship the dead. Many consider Maya art of their Classic Era (c. 250 to 900 AD) to be the most sophisticated and beautiful of the ancient New World.

 The carvings and the reliefs made of stucco at Palenque and the statuary of Copán are especially fine, showing a grace and accurate observation of the human form that reminded early archaeologists of Classical civilizations of the Old World, hence the name bestowed on this era. We have only hints of the advanced painting of the classic Maya; mostly what have survived are funerary pottery and other Maya ceramics, and a building at Bonampak holds ancient murals that survived by serendipity. A beautiful turquoise blue color that has survived through the centuries due to its unique chemical characteristics is known as Maya Blue or Azul maya, and it is present in Bonampak, Tajín Cacaxtla, Jaina, and even in some Colonial Convents. The use of Maya Blue survived until the 16th century when the technique was lost. Some Pre Classic murals have been recently discovered at San Bartolo, and are by far the finest in style and iconography, regarded as the Sistine Chapel of the Maya. With the decipherment of the Maya script it was discovered that the Maya were one of the few civilizations where artists attached their name to their work. Many consider Maya art of their Classic Era (c. 250 to 900 AD) to be the most sophisticated and beautiful of the ancient New World.

 The carvings and the reliefs made of stucco at Palenque and the statuary of Copán are especially fine, showing a grace and accurate observation of the human form that reminded early archaeologists of Classical civilizations of the Old World, hence the name bestowed on this era. We have only hints of the advanced painting of the classic Maya; mostly what have survived are funerary pottery and other Maya ceramics, and a building at Bonampak holds ancient murals that survived by serendipity. A beautiful turquoise blue color that has survived through the centuries due to its unique chemical characteristics is known as Maya Blue or Azul maya, and it is present in Bonampak, Tajín Cacaxtla, Jaina, and even in some Colonial Convents. The use of Maya Blue survived until the 16th century when the technique was lost. Some Pre Classic murals have been recently discovered at San Bartolo, and are by far the finest in style and iconography, regarded as the Sistine Chapel of the Maya. With the decipherment of the Maya script it was discovered that the Maya were one of the few civilizations where artists attached their name to their work

MAYA ART

The art of the Maya, as with every civilization, is a reflection of their lifestyle and culture. The art was composed of delineation and painting upon paper and plaster, carvings in wood and stone, clay and stucco models, and terra cotta figurines from molds. The technical process of metal working was also highly developed but as the resources were scarce, they only created ornaments in this media. Many of the great programs of Maya art, inscriptions, and architecture were commissioned by Mayan kings to memorialize themselves and ensure their place in history. The prevailing subject of their art is not anonymous priests and unnamed gods but rather men and women of power that serve to recreate the history of the people. The works are a reflection of the society and its interaction with surrounding people.

One of the greatest shows of Mayan artistic ability and culture is the hieroglyphic stairway located at Copan. The stairway is an iconographical complex composed of statues, figures, and ramps in addition to the central stairway which together port ray many elements of Mayan society. An alter is present as well as many pictorial references of sacrifice and their gods. More importantly than all the imagery captured with in this monument, however, is the history of the royal descent depicted in the heiroglyphs and various statues. The figurine of a seated captive is also representative of Mayan society as it depicts someone in the process of a bloodletting ceremony, which included the accession to kingship. This figure is of high rank as depicted by his expensive earrings and intricately woven hip cloth. The rope collar which would usually mark this man as a captive, reveals that he is involved in a bloodletting rite. His genitals are exposed as he is just about to draw blood for the ceremony.

In the Indian communities, as it was with their Mayan ancestors, the basic staple diet is corn. The clothing worn is as it was in the past. It is relatively easy to determine the village in which the clothing was made by the the type of embroidery, color, design and shape. Mayan dialects of Qhuche, Cakchiquel, Kekchi, and Mam are still spoken today, although the majority of Indians also speak Spanish.

Maya's families

The typical Maya family (averaging five to seven members, archaeologists guess) probably arose before dawn to a breakfast of hot chocolate--or, if they weren't rich enough, a thick, hot corn drink called atole--and tortillas or tamales. The house was usually a one-room hut built of interwoven poles covered with dried mud. Meals of corn, squash and beans, supplemented with the occasional turkey or rabbit, were probably eaten on the run.

During the growing season, men would spend most of the day in the fields, while women usually stayed closer to home, weaving or sewing and preparing food. At the end of the day the family would reconvene at home, where the head of the household might perform a quick bloodletting, the central act of piety, accompanied by prayers and chanting to the ancestors. Days that were not devoted to agriculture might be spent building pyramids and temples. In exchange for their toil, the people expected to attend royal marriages and ceremonies marking important astrological and calendrical events. At these occasions the king might perform a bloodletting, sacrifice a captive or preside over a ball game--the losers to be beheaded, or sometimes tied in a ball and bounced down the stone steps of a pyramid. Like modern-day hot-dog vendors, craftsmen and farmers might show up for these games to set up stands and barter for pots, cacao and beads.

They lived in small villages consisting of household compounds occupied by extended families. Their thatched-roof houses were usually one-room huts with walls of interwoven wooden poles covered with dried mud. These huts were used primarily for sleeping; daily chores such as cooking took place outdoors in the central communal compound. The division of labour between men and women was clearly defined: the men looked after building huts and caring for the cornfields, and the women prepared food, made clothing, and tended to the family's domestic needs. These ancient farming methods and family traditions have persisted over the centuries and continue to be followed in many rural communities today